Welcome to the Posts section of the official Kirk Douglas website. Its purpose is to let Kirk share his thoughts and activities with you, and to enable you to share your thoughts with him.

Below you’ll find links to the most recent "Reflections" and "Activities" posts.

Clicking the “Reflections” button to the left, you’ll be taken to a page where Kirk, a best-selling writer as well as a movie star, has posted his most recent thoughts and musings.

Clicking the “Activities” button, you’ll be taken to a page where you can learn about current and past goings-on in which Kirk is involved.

Clicking the "Kirk Douglas Theatre" button, you'll get the latest news about productions at the theatre, named to honor Kirk Douglas and established as the newest and most intimate of the Center Theatre Group's spaces, which include the Ahmanson and Mark Taper Theatres at the Los Angeles Music Center.

By clicking “Fan Mail,” you’ll have the opportunity to share your thoughts with Kirk.

Kirk Doulgas's new book, written with his wife Anne, Kirk and Anne: Letters of Love, Laughter, and a Lifetime in Hollywood will be available on May 2, 2017. This link will enable you to pre-order a copy, and have part of the proceeds go to the work of The Douglas Foundation.

kirkannebook

Film legend Kirk Douglas and Anne Buydens, his wife of nearly sixty-three years, look back on a lifetime filled with drama both on and off the screen. Sharing priceless correspondence with each other as well as the celebrities and world leaders they called friends, Kirk and Anne is a candid portrayal of the pleasures and pitfalls of a Hollywood life lived in the public eye. 

Compiled from Anne's private archive of letters and photographs, this is an intimate glimpse into the Douglases' courtship and marriage set against the backdrop of Kirk's screen triumphs, including The VikingsLust For LifePaths of Glory, and Spartacus. The letters themselves, as well as Kirk and Anne's vivid descriptions of their experiences, reveal remarkable insight and anecdotes about the legendary figures they knew so well, including Lauren Bacall, Frank Sinatra, Burt Lancaster, Elizabeth Taylor, John Wayne, the Kennedys, and the Reagans. Filled with photos from film sets, private moments, and public events, Kirk and Anne details the adventurous, oftentimes comic, and poignant reality behind the glamour of a Hollywood life-as only a couple of sixty-two years (and counting) could tell it.

Kirk Douglas Turns 99! See Son Michael Douglas's Sweet Facebook Post

--People  December 9, 2015

Storied film actor Kirk Douglas celebrated his 99th birthday on Wednesday, and he marked the occasion with sweet well-wishes from his son.

Michael Douglas shared a red carpet photo with the legendary Spartacus star on Facebook in honor of his father's big day.

In the image, Michael, 71, gives his father a sweet forehead kiss.

"Happy 99th Birthday Dad," Michael wrote. "I love you."

Michael has previously praised his father's illustrious career, while thanking him for letting him forge his own path in the industry.

Although Kirk has clearly lived a long life, the Honorary Academy Award winner recently told PEOPLE about how he nearly was a passenger on Elizabeth Taylor's husband's private plane, which crashed and killed everyone aboard in 1958.

The actor's longtime wife, Anne Buydens, wouldn't let Kirk join on the plane ride – and thankfully so, as the Lucky Liz suffered engine failure,

"Why was I spared? I was so grateful," Kirk told PEOPLE. "My wife has saved my life many times."

Kirk Douglas Reviews 'Trumbo'

--USA Today   November 20, 2015

Bryan Cranston, left, is Dalton Trumbo and Dean O'Gorman

BEVERLY HILLS, Calif. — How odd to watch history replayed on the big screen when it's your own.

That's where Kirk Douglas, 98, found himself when recently viewing Trumbo (in select theaters; opens nationwide Nov. 25), a new biopic of Academy Award-winning screenwriter Dalton Trumbo (played by Bryan Cranston), who was forced to work under a pen name for more than a decade during the McCarthy years when he, along with hundreds of others, was blacklisted as a communist sympathizer.

Douglas' Spartacus plays a key role in the film: It was the first major movie to break the blacklist by putting Trumbo's real name back on the big screen in the credits in 1960. (Exodus, also written by Trumbo, followed suit shortly after.)

Douglas sits in a cardigan and slacks in his sun-drenched living room. "You know, I did a lot of movies with Dalton," he says in good spirits though he speaks slowly (his speech has been impaired since a stroke at age 80). "They were all good." (His favorite is 1962's Lonely Are the Brave.)

An original copy of Trumbo's National Book Award-winning Johnny Got His Gun has been pulled from Douglas' shelf. The author sent it to Douglas as a token of gratitude after the actor pledged to use Trumbo's real name on Spartacus.

The June 1959 inscription reads:

"Dear Kirk,

Here, for what it is and for what I hope I still am, is the only existing copy of this book that's signed with the name to which I was born — and that other name you've enabled me to acquire under circumstances that blessedly permit me to respect and cherish both the new name and the new friend who made it possible.

Affectionately, Sam Jackson/Dalton Trumbo."

In Trumbo, Dean O'Gorman (a startling Douglas lookalike) plays the screen legend. O'Gorman wrote Douglas a letter last September seeking advice.

Douglas' shares his response to the 38-year-old actor seen in The Hobbit franchise (as the dwarf Fili).

It's amusingly spare. "Playing Kirk Douglas, forget him ... just play the part and you will be fine," he wrote.

In his book I Am Spartacus! Making A Film, Breaking the Blacklist, Douglas details how he waited for a majority of the film to be shot as leverage to push Universal to allow Dalton's real name on screen.

"What I never understood, you know, a guy should be able to write something and be paid," Douglas says, pointing out that even President Kennedy supported Spartacus by crossing picket lines to see it.

In the book, Douglas wrote, "When I hired Dalton Trumbo to write Spartacus under the pseudonym Sam Jackson, we all had been employing the blacklisted writers. It was an open secret and an act of hypocrisy, as well as a way to get the best talent at bargain prices. I hated being part of such a system."

Douglas describes Trumbo as an egoless writer who wasn't precious about his work. And Trumbo was fast. "Dalton Trumbo, if you told him, 'I don't like that scene' — 'You don't like it?' " (Douglas mimics the screenwriter crumpling up a paper and tossing it.)

Trumbo's many eccentricities are displayed in the film, aided by Cranston's portrayal, which Douglas praises. "Trumbo was a strange guy," says Douglas, happy that a parrot (nicknamed Sammy) he gifted the writer made the film.

The bird, Douglas recalls, used to sit on Trumbo's shoulder while he worked in the tub, where the prolific writer often held meetings. "He was a nut," Douglas says.

Douglas' overall impression of Trumbo? "It's a very good film," he says, "and its spirit is true to the man I admired."

A centennial year of celebration is in store for the three-time best actor nominee. "I'm going to be 99 years old (on Dec. 9). I don't like it," says Douglas who is working on a new book of letters from his life.

How does he feel? Douglas smiles and squints. "I think I'll make another picture."

 

 

 

 

 

 

Why I Felt Like a Failure When I Didn't Make It on Broadway

--Huffington Post  November 5, 2015

KIRK DOUGLAS

In 1963, I made my last stab at being a hit on Broadway. I bought the rights to Ken Kesey's book, One Flew Over the Cuckoo's Nest. It was a first novel, not yet the bestseller it would eventually become. I was crazy about the book -- maybe not the best phrase to use given the subject matter.

I hired Dale Wasserman to write the play. Dale wrote the first draft of my film,The Vikings; but, like me, his first love was theatre. Later, he wrote Man of La Mancha. That was a huge hit, much more successful than the movie. Cuckoo's Nest on Broadway was not the smash I anticipated after receiving rave reviews in New Haven. I did, however, keep it running for six months. On the other hand, the film version won a number of Oscars -- for Jack Nicholson, for Louise Fletcher, and for a young producer named Michael Douglas.

I wanted to be an actor since I stepped in front of an audience to recite "The Red Robin of Spring" when I was in kindergarten. Something happened when I heard applause. I loved it. I still do.

In high school and St. Lawrence University, I won drama awards which further fueled my theatrical ambitions. Getting a scholarship to the American Academy of Dramatic Arts in Manhattan was a dream come true.

I had talent, my teachers said, but -- more important -- I had chutzpah. That quality alone got me admitted to St. Lawrence, after talking my way into the Dean's office, showing him my dossier of high school honors, and announcing I had $164 I could put toward tuition. It got me into my first play, Spring Again, singing a telegram to the tune of "Yankee Doodle Dandy." It was produced by Katherine Cornell and her husband Guthrie McClintock, the first couple of Broadway. That Thanksgiving I was invited to their house and drank champagne and ate caviar. The Thanksgiving before, I was in line at the Salvation Army for my free turkey meal.

I wish I could say that was the beginning of an auspicious theatrical career, with my name ablaze on a prestigious marquee, but it wasn't. After I was honorably discharged from the Navy, it was back to small parts in plays that flopped. Then I got a big break! George Abbott invited me to audition before Leonard Bernstein, Betty Comden and Adolph Green for On the Town. I sang a corny old music hall song, I'm "Red Hot Henry Brown (the hottest man in town)", and got the part, later played by Gene Kelly in the movie. I was petrified and came down with a psychosomatic illness -- my voice got smaller and smaller as I rehearsed the songs, until it totally disappeared. And so did my big opportunity. John Battles replaced me, and my voice came back.

Finally, in June 1945, I played the Unknown Soldier of World War I in The Wind Is Ninety and got my first good reviews. The Hollywood producer Hal Wallis came to see it, urged by my friend Betty Bacall, who made such a sensation as Lauren Bacall in her 1944 screen debut, To Have and Have Not. And that's how I found myself on a train headed to Hollywood to play Barbara Stanwyck's weak drunkard husband in The Strange Love of Martha Ivers. I was on my way to becoming a movie star -- only because I hadn't become a star on the Great White Way.

Here's why I felt like a failure: On the stage, I am flesh and blood, not a shadow on the screen. The eye of the movie camera is an evil eye. When you act in front of it, that cyclops keeps taking from you until you feel empty. On the stage, you give something to the audience, more comes back. When the curtain comes down in a theatre, you have a feeling of exhilaration -- something's been completed, fulfilled. It's so different from an exhausting day of shooting at the studio. You come home tired, drained. Making a movie is like making a mosaic -- laboriously putting little pieces together, jumping from one part of the picture to another, never seeing the whole, whereas in a play, the momentum of the continuity works with you, takes you along. Doing a play is like dancing to music. Making a movie is like dancing in wet cement.

I finally found out how to get my my name in lights -- permanently. Buy the theatre! Eleven years ago, the Kirk Douglas Theatre in Culver City opened in a remodelled Art Deco movie house that had played my first films. It is part of the award-winning Center Theatre Group (CTG) which includes the Mark Taper Forum and the Dorothy Chandler Pavilion at the downtown Music Center. A few productions that originated in "my theatre" have gone on from there to Broadway stardom.

I even got to star on its stage at the age of 92 in my autobiographical one-man show, Before I Forget. I loved doing it. For a second I flirted with bringing it to Broadway, but nonagenarian solo acts don't inspire long-range ticket sales.

But at least I went out a hit!